*>>>> Be sure to read this post first: SHADOWjam Manifesto

a moment in the window of The Green House (Arcata, CA) where I facilitated my first SHADOWjam on Dec11, 2010.
It was the summer of 2008. I had just finished my two terms of Americorps and had started working at the North Coast Co-op, with plans to work there until I transitioned out of the area into the next big steppe of my life, presumably within the next year or so (note: that year is officially 2011 – haha!). I was deeply involved with The Ink People in a lot of ways, in particular in association with Synapsis. In fact, I was spending much of that summer preparing for The Great Puppet Feast, a multi-day-venue puppet festival slated for November. I had already fallen in love with the puppet and realized that I had found my medium, the medium I needed to focus on to follow the highest realization of my artistic path. So when Leslie Howabauten (then still Castellano) asked a few of us over email if she could send some puppeteers our way to crash the couch while they were on a performance tour, my heart leapt a little, squealing, “me me me me”. Those puppeteers were Mind of a Snail Puppet Co. They and two accompanying artists joined me in my tiny apartment. I found them some venues to perform their first show, “Dream of a Tree” (check out a video of segments here), and conduct SHADOWjams. I was completely enamored from the first second. Wow, here was a concept that lumped so many of my most beloved experiential morsels into one epic adventure in spontaneous art-making. Those morsels being performance, a sense of playing,
experimentation, community building, embracing silence, crafting creatures, layering, responsive sounding, dramatic use of light contrasted with dark, communication, repurposing used materials, song, story … i could see the entirety of my universe in this medium.
Mind of a Snail toured south and then rejoined my Arcata Attic (the nickname i have for the soft story apt i inhabited while working at the co-op). I would not see them again in person until the Regional Puppet Festival in Seattle, summer 2010. It had been a way intense year in more ways than I can even allude to in this space at this time. So I could hardly be anything but a sponge at that festival adventure. I was loving my first immersion into the puppet community – discovering its intricacies, dreaming up my relationship with it, perceiving my future role in it, observing beautiful puppet work – but I had a real hard time engaging in any sort of productive way. Few conversations or personal interactions – which was such a bizarre state to find myself needing!! I’m the girl whose been known as a conversationalist since she learned to speak, whose kindergarten teacher declared, “No, you’ll be a chatterbox when you grow up!” But I was crawling into a spirit cocoon. Who talks from inside a cocoon? Except at the SHADOWjam they facilitated one night. It was pretty much the only time I was actively engaged in an exchange with my fellow puppeteers. So emblematic as I reflect upon that experience …
Mind of a Snail released their Manifesto a bit of time after the festival’s end. I had written them permission to begin developing the medium where I am. They were enthusiastically supportive, and I began preparing for my first exercise in
facilitating a SHADOWjam in observance of the close of my 20′s. (yeah, i was born Dec10, 1981 – go ahead, see what stealing my identity will get you ;-P) Saskatchewan Cards made a stunning zine-invite. The Green House was amazingly hospitable for the whole event. It was a spectacular and warm opening to my development in use of the SHADOWjam medium. The main theme was that of goats, which were the subject of the then-upcoming Zo*tekh Project #3: I graze with goat … (further notes on this in later blog posts).

at the 12/11/10 jam: the angel tells the alligator with a quote from Jesus, "the kingdom of heaven is within you." (Alligator w/ a Bird Belly puppet: Leslie Howabauten, Photo: MegBeam)
Later that month I facilitated not only the first SHADOWjam in South Carolina but my first art event in my hometown. I had grown up as a performer in other peoples’ projects. I grew as an organizer and catalyst for my own projects elsewhere, so it was really special to share this part of my self with a few people who had known me the longest – my parents and Chelsea Thompson (my dearest friend from childhood – though she
didn’t know that until we were both already adults ;-P) along with a man I had gotten to know as a high schooler but still remains one of the people i respect the most from my hometown, Joey Oppermann. Yes, attendance was sparse at that first SC SHADOWjam but plentiful in dynamacy. We created a story of goats entering a mysterious door, finding the flowers on the other side irresistable to grazing, being transported to magical places, and being met by a mystical woman.
I have since facilitated three more jams in Humboldt and one in San Francisco. (I am saying this on 11/29/11 … there will be more before the end of the year; i promise
– example: Dec2, 2011). I have many dreams about how my journey with SHADOWjam will roll out in the centuries ahead of us. I have several show-starters in production, ones whose concepts have been consciously ruminating inside the cocoon with me while others are mere glimmers of “wha–?”. And my time to emerge as the Beamerfly is just now dawning. That light is peaking over the horizon. Thanks for joining me for the crackling of the crysalis.










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